Give me 12 minutes, and you'll be a pro at making chords & melodies
By Arcade
Summary
## Key takeaways - **Set Key and Scale for Chord/Melody Creation**: To begin composing, set your song's key and scale using the 'Scale Highlighting' option in your DAW's piano roll. This visually highlights the usable notes, simplifying chord and melody construction. [00:29] - **Master Chord Shapes: Major vs. Minor**: Major chords follow a 'three spaces, then two spaces' pattern between notes, while minor chords use 'two spaces, then three spaces'. These shapes remain consistent regardless of the root note. [01:27] - **Use Highlighted Notes for Chord Accuracy**: When building chords, ensure all notes fall on the highlighted grid corresponding to your chosen key and scale. Notes on the darker grid indicate they are outside the key and should be avoided for the current chord. [02:09] - **Invert Chords for Variation**: Inverting chords by moving notes to a higher octave changes their voicing and sonic character without altering the underlying chord. It's good practice to select and adjust bass notes before inverting to maintain clarity. [03:47], [05:00] - **Melody Construction: Question and Answer**: A common melody technique involves creating a 'question' phrase that is answered by a subsequent phrase. Ensure the last note of your melody phrase flows well into the first note of the next repetition. [09:06], [10:14] - **Rhythm First, Then Notes for Melody**: Establish the rhythm of your melody by placing notes on a single pitch first. Then, adjust these notes to fit the scale and create variations, such as repeating a pattern with slight changes. [10:21], [11:15]
Topics Covered
- Unlock Chords: Master Fixed Major and Minor Shapes.
- Unlock Chords: Visualizing Music Theory with Scale Highlighting.
- Elevate Basic Chords: Inversions and Adding Harmonic Notes.
- Build Melodies: Start with Rhythm, Then Add Notes.
- Subtle Repetition: Make Melodies Engaging, Not Monotonous.
Full Transcript
Let's learn how to make chords and
melodies once and for all. This is for
people who know nothing about music
theory and struggle with creating chords
and melodies. So, even if you have no
experience, at the end of this video,
you'll be a master at creating chords
and melodies. Let's get started. Load up
a piano sound. I'm using Cloud Piano,
which is my own plug-in, but any piano
will do, and open up piano roll. Now,
here we are in Piano Roll. There is only
one thing we need to set up to start
creating our composition, and that is
choosing the key of your song. So go
right here into options, go to view,
scale highlighting, and now you get to
choose the key of your song, the root
note and the scale. You can choose any
of these, and this technique will work,
but the ones easier to understand are
major, yonian, and minor natural. So use
the right click of your mouse to select
minor natural and then choose your key.
We're going to choose F. Again, use the
right click. Then the window won't
close. Now our key is set to F minor
natural. We can leave the screen. And
now you can see the piano roll changed.
You can see some of the notes that are
highlighted like these ones. And some of
them are darker like these ones. Also,
if you want to see all the notes in
piano roll, go to view, key labels, all
notes. And the first note we're going to
put in is F4,
which is the root note of F minor. It's
good practice to start with the root
note of your key, which is in the name
of the key. Second thing you need to
understand is how to create chords.
Minor and major chords always have the
same shape. A major chord has the first
note, then three spaces, a note on the
fourth one, then two spaces, and a note
on the third one. This is the shape of a
major chord. It's always the shape of a
major chord. You need to have the first
note, three spaces in between, the
second note, then two spaces in between,
and the third note. That's always a
major chord. To create a minor chord,
you just move the middle note one down.
Therefore, a minor chord is the first
note, two spaces in between, then the
second note, three spaces in between,
then the third note. These shapes are
always the same, so we can always use
them. Now, how do we know which chord to
use, a major chord or a minor chord?
Well, since we set up our key and we can
see the highlighted notes, we always use
the one that fits into the highlighted
notes. So, here, starting on F, if we
want to create a major chord, that would
be three spaces and then the fourth one
is the note. But this one is not on the
highlighted grid. It's on the darker
one. So it cannot be in our key.
Therefore, we know this will have to be
a minor chord. So we're going to leave
two spaces. Then put in the note on the
third one. And then we're going to leave
three spaces and put in the note on the
fourth one.
And we can see all of these notes are on
the highlighted grid, which means that's
the correct chord to choose in this
case. So let's continue and create a
chord progression. So you can choose any
notes that you want. So we starting with
F. Let's just put in the bass notes.
So for example, that or
whatever feels right for you. And then
we just fill in the chords again using
the same strategy. So here a minor chord
wouldn't be on the highlighted grid.
Therefore, it will be a major chord
here.
[Music]
You basically just fill in the chords,
then double check if all of them are on
the highlighted grid, which they are.
So, all of these notes are in the key of
F minor. Now, we can preview our chord
progression.
[Music]
Pretty basic, but it works. This is the
first step. Once you know this, you are
on the right track. Now a few things we
can do is do inverted chords. Basically
you select any note from your chord and
put it octave higher. So right here for
example
I feel like the notes are too low. So
I'm going to take the lowest note
holding control and selecting and I'm
going to press control arrow up to put
it octave higher. Now the chord is still
the same but the notes are in a
different order but it will still work
and it will sound slightly different.
Here
[Music]
it is before we inverted it. And here it
is now.
The same chord but notes are in a
different order. Now you can do this
anywhere and you can do multiple notes
as well. So for example here we can
select those two put them octave higher.
[Music]
But when you do that, you can forget
which bass notes you used because now
you would think the lowest note is the
bass note. But of course, it's not. It's
this one right here. So, let me put them
back. And a good practice is to select
your bass notes before inverting the
chords and just hold shift and put them
octave lower and then invert your
chords. Now you won't forget which of
these are your bass notes.
Right now we already have a great chord
progression, a simple one, but a good
one. But we can make it way more
interesting by adding more notes. Now,
of course, you can use any of these
notes that are highlighted, but not all
of them will sound great,
but they will fit into the harmony
either way. Of course, you can use any
of the notes that you already have in
the chord. So, that is F, Gsharp, and C,
and put them octave higher as well.
Those will always sound good.
But you can just experiment with
different variations. So try a note
[Music]
and preview it.
[Music]
And also it's good to preview it with
the previous chord as well.
[Music]
So this is nice to me.
Okay, now let's do one more chord
progression and then I'm going to show
you how to make the melody as well. So,
let's remove this. Go back to view scale
highlighting. Let's do major and let's
do G. G major. Now, we have different
notes at our disposal, but same
techniques. So, I'm going to go faster
now.
And let's try a different piano sound
from our cloud piano plugin. A very
affordable piano. So if you want to
check it out, link will be below in the
description. And we can also enable some
of these effects here to make it more
interesting.
Let's also add the bass notes.
[Music]
And let's create the chords. Again, the
same shapes as I mentioned.
[Music]
Just like that. You can see here is a
major chord with three spaces and two
spaces. Here is a minor chord with two
spaces and three spaces. Another minor
chord and then a major chord. Just
follow the highlighted notes.
[Music]
And of course, let's invert some of
these.
[Music]
And now we can add a few more notes.
[Music]
Now we can add the melody. You must be
wondering how to create the melody.
Well, again, just follow the highlighted
notes. We can go with a simple one by
choosing one note, for example.
[Music]
[Music]
Something like this. Okay, how did I
just create that? Again, I was just
following the highlighted notes,
choosing G as my starting point. And
then, of course, I still hum the melody
in my head, and then transfer it into
piano roll. But when you know which
notes you can use, it makes it way
easier.
Okay, let's remove this melody and let's
try a more complex one. One thing you
can learn about making melodies is there
is always a question and an answer.
[Music]
[Music]
So in this case we go up in here
and then we create a loop by going down
at the end.
[Music]
Essentially what I'm trying to say is
the last part of your melody should also
fit with the first part of your melody.
For example, if I had A in here,
I don't really like that because you end
with A and then you start with A and it
doesn't sound as good when it repeats.
So, you really need to pay attention to
your last note and the first note. So,
they sound good one after another when
it repeats. One thing you can do before
creating the melody is set the rhythm of
the melody first. So, just choose one
note, maybe the note of your key. So G
and create a rhythm only.
So just like so we just created the
rhythm
and now what we are going to do adjust
the notes.
[Music]
[Music]
And as you can see here, we have this
repetition. Then we have pretty much the
same one, but this note
is higher here. And then the first one
repeats again. So that's another thing
you can do is have the same repetition
twice, but also every second time change
something slightly
[Music]
at the end. We want to make sure the
listener knows it's the end. That's why
we go down here. It doesn't necessarily
mean you need to go down. We just go
into a different direction as the
previous repetitions. So we have
but at the end.
So always keep that in mind when
creating the melodies. Anyways guys,
that is it. That's how we create chords
and melodies in 2025. Also, make sure to
check out my piano plug-in if you want
to. It's a really affordable piano
plug-in for every producer. Thank you
for watching and I'll see you in the
next one. Goodbye.
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