Taylor Swift's emotional journey to reclaiming her masters
By New Heights
Summary
## Key takeaways - **Artist Retains Ownership of First Six Albums**: Taylor Swift's first six albums, which she signed away at 15, were finally reclaimed this summer, marking a significant personal and professional milestone. [00:02] - **Master Recordings Mean Control and Legacy**: Owning master recordings grants artists complete control over distribution, licensing, and ultimately, the shaping of their legacy, a concept Swift has prioritized since her teenage years. [00:45] - **Re-recording as a Defiant Act of Ownership**: Facing the sale of her music multiple times, Swift began defiantly re-recording her albums in 2021 as the only perceived path to owning her work. [01:31] - **Emotional Appeal Over Business Deal**: Instead of a purely business negotiation with Shamrock Capital, Swift's mom and brother presented a heartfelt case, explaining the personal significance of the catalog. [03:08] - **Tears of Joy and Physical Reaction**: Upon hearing she had regained her music, Swift experienced an overwhelming emotional release, collapsing to the floor and weeping uncontrollably. [05:14] - **Industry Doubts About Re-recordings**: Many in the industry initially viewed Swift's re-recording project as a risky move that could derail her career, with predictions of low fan engagement. [06:45]
Topics Covered
- Artists can and should own their master recordings.
- Re-recording music is a viable strategy to regain ownership.
- Negotiating for master recordings requires a human, not a business, approach.
- Family can be your most powerful negotiating asset.
- Reclaiming your work transforms intrusive thoughts into gratitude.
Full Transcript
One of my favorite things this summer
was Taylor reclaiming her masters. Um
her recording of her first six albums uh
finally uh became hers. Yeah.
>> And um you haven't really talked about
it. You made that beautiful post on all
your social channels thanking everyone
that that made it happen and everything,
but uh why don't you tell uh tell the
92enters how it really felt?
>> Oh wow. Um, so to catch anyone up who
doesn't know about this saga, like I
signed a record deal when I was 15. And
I always kind of refer to it as I got my
music back this this summer, but I never
owned my music at all. So,
traditionally, a lot of record deals are
set up in a way that artists don't own
what's called their master recordings.
Owning your master recordings means that
you have complete control and power over
distribution licensing
um, and essentially the way your legacy
is shaped. It's, it's, um, it's a huge
thing. It's always been a huge thing for
me. Like since I was a teenager, I've
been actively saving up money to buy my
music back and to to ever own it in the
first place because it's usually the
label that owns it. But I I've always
wanted this to happen. So, um, it's been
sold. My music has been sold a few
times. The first time that it was sold,
it really ripped my heart out of my
chest. And I told everybody exactly how
that felt for me and what I was going
through. And I started basically
defiantly re-recording my music because
I wanted
>> I wanted to own it. And this was the
only way I thought it was ever going to
happen. And so, um,
>> I knew she had a bad kid and she's got
she's got a little bit of a bad kid.
Yeah. It's not a bad kid. That's a
freaking savvy kid. That's what that is.
That's like, hey,
>> I've been told I've been defiant a lot
of times.
>> Well, you are defined. You're very
>> It's like I I um
>> insubordinate, Travis.
>> Insubordinate. Yeah. It's It's I think
for me, you know, that was the closest I
ever thought I would get to owning my
music. And so, re recording my music, it
was so exciting to get to have that
opportunity. But there was still like I
thought about not owning my music every
day. Um it was something that I never
was it was like an intrusive thought
that I had every day. And so we we do
the Aerys tour. Uh after the Aerys tour,
I had a meeting with my team and we we
decided this might be a good time to
approach the current owners of it. The
owners of it was um a private equity
firm called Shamrock Capital. I knew
them to be above board people. Uh, you
know, they had been very friendly to us.
Um,
what I was looking to do though was I
wanted to buy my music outright. I don't
want to be in a partnership. I don't
want to own 30% of it. I want it I want
to own all of it.
>> And you deserve that.
>> But it was a long shot to think that
they would do that, that they would sell
that that asset to me.
>> It's a big asset.
>> It's a huge decision for them to make to
sell that to anyone, including me. I
decided that rather than this be like a
a business conversation, I I'm in the
business of human emotion. I would so
much rather lead heart first in
something like this because for me this
is not oh I want to I want to own this
asset because of its returns because if
it's you know because of the dividends
that I will receive over the years
>> this was I want it because this is my
handwritten diary entries from my whole
life. These are the songs I wrote about
every phase of my life. This is my
photography, my music videos,
>> my most of which I funded. Yeah. You
know, my artwork, everything that I've
ever done is in this catalog.
>> And so rather than send lawyers or
management like in a big crew, I sent my
mom and my brother who I work with
>> to LA and they um sorry, they sat down
and they like this happens. I don't ever
really talk about it because it's um
>> they sat with um with Shamrock Capital
and they told them what this meant for
me. Like this is they they told them the
whole story of all the times we've tried
to buy it, all the times it's fallen
through, all the times we had gotten
plans together and figured out something
we thought was going to work and it
didn't at the last minute. And so like
my mom calls me afterwards. She's like,
"Look, you know, they were wonderful.
They they heard us out. we have no idea
which way they're going to go with this.
And so I was like, I get it. I get it.
I've I haven't gotten my hopes up about
this in a decade. Um, and so it was a
couple months after the Super Bowl.
We're in Kansas City. Um, and I get a
call from my mom and she's like
she's like,
"They they we we did you got your
music." Yeah.
>> And um so sorry that uh this is it's
literally been so long since this
happened. It's every time I talk about
it. Um she was like, "You got you got
your music." And I just like very
dramatically hit the floor for real.
Like honestly just started a long time
>> balling my eyes out and I'm just like
>> just just weeping and kind of like
unable. I was just like really are
really really what do you mean? What do
you mean? And I'm I'm like, "Get get
yourself together. Get your
together." Like, "Just go tell Travis in
a normal way."
>> Yeah.
>> And I knock on the door. He's playing
video games.
And I'm trying to say it in a normal
way. And I'm just like,
>> I'm like, "Oh no, what just happened?
What just happened?"
>> And he's like, he like puts his headset
down. He's like, "Guys, got to go." And
I think you thought something was wrong.
And you come up and I'm just like, "I
got all my music back." And then just
start absolutely heaving. dead weighted.
Just dead weighed. Literal control.
>> Had no power in my legs to support
myself. And um
>> yeah, this changed my life. Um I can't
believe it still. Every time I think
about it, it's like I have to tell the
short version to everyone because it is
still like this this will affect the
rest of my life. I think about this
every day now, but instead of it being
like an intrusive thought that hurts me,
it's I can't believe this happened. like
how lucky am I? How grateful am I? I'm
so grateful to like the artists that
helped me with my re-records because
when I did my re-records, I started
doing those in 2021.
>> Mhm.
>> And a lot of like most of the industry
trades were like, "This is a bad idea.
This is her sort of derailing her career
in a way. Nobody's interested in you
doing the same album twice. Fans are not
going to be engaged with this. This is
not going to go well for her."
>> Somebody knew though. And it was like I
still was able to like reach out to
friends of mine like like like Phoebe
Brides, Keith Urban, Marin Morris, Chris
Stapleton, you know, Haley Williams from
Paramore, Fallout Boy, like all these
absolutely incredible artists that like
shape who I am as an artist and um and
they like agreed to be a part of the
re-records. And I like, you know, I one
of the only people I told before this
happened was like I called Phoebe Brides
and I was just like
[Laughter]
and she's like, I think you just did you
just say what I think you said?
And so this has just been like it was
just I'm so grateful for it. It's um
>> it's just unbelievable. And I was so
happy you were there when that happened.
>> I mean I was
>> cuz I could not stand.
>> Yeah. I mean I started crying too. You
know, you were weeping.
>> I was I'm just so happy for you because
I've seen I've seen
>> how you make music. I've seen how you
make these videos. I've seen the effort
and the focus and the strategy behind
what just one album in torture poets
department and and and in Fortnite. And
I was blown away that you had been doing
this your entire life and for, you know,
your first six albums, you weren't given
the the rights to all of that. M
>> and I know what that that looked like
and I know how much it it burns you that
that you didn't have that and you didn't
have your creation. And I just I think
doing it the right way,
>> creating the fan base that you did the
right way and um and and leading your
life in a in a direction that you you
were eventually going to get it back
somehow someway because of you um always
doing things uh with the right
intentions. So
>> thanks
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