The Stephen Curry Interview (Part 1) | LeBron James and Steve Nash | Mind the Game
By Mind the Game
Summary
## Key takeaways - **Curry's shooting form is a one-piece shot**: Stephen Curry's shooting form is a one-piece shot that allows him to get the ball off quickly, regardless of balance or hand preference, providing an advantage especially at his height. [08:54] - **Don Nelson protected Curry's shot**: Don Nelson, Curry's rookie coach, famously yelled at the weight room staff for having him lift too much weight, believing it was negatively impacting his shooting. [14:17] - **Ankle issues forced Curry to build hip and core strength**: After suffering from ankle problems, Stephen Curry had to focus on developing hip and core strength, which he found to be crucial for ankle stability and overall body efficiency. [17:10] - **Trae Young's arrival signaled Curry's influence**: Stephen Curry realized his impact on the game when Trae Young entered the league, being the first player widely compared to him and emulating his style. [27:20] - **Warriors' offense inspired by Barcelona's 'Tiki-taka'**: Steve Kerr's Warriors offense was inspired by Barcelona's 'Tiki-taka' philosophy, emphasizing ball and player movement to make defenses make numerous decisions, leading to better shot creation. [32:03] - **Curry's off-ball gravity creates easy baskets**: Stephen Curry's gravity on the court, even when not holding the ball, significantly increases his team's rim attempts by 18 percentage points, creating easy scoring opportunities for teammates. [33:54]
Topics Covered
- Curry's Early Game: A Pass-First Point Guard Mentality
- Don Nelson's Intervention: Saving Curry's Shot from Weight Training
- Steph's Gravity: The Stat That Proves His Off-Ball Danger
- Curry on Clay's Shot: Unorthodox Perfection and Its Impact
- The Beauty of Basketball's Unselfish Possessions
Full Transcript
You might know this, but you deserve a
little bit of uh uh putting me out to
pasture, a little bit of my retirement.
>> He sent you all back.
>> Oh, yeah. Learn what I do.
>> Yeah. He sent you all back. I go ahead
and put him on down.
>> It's not something I like to talk about
in public. In public a lot, you know,
>> exclusive. We got we got exclusive.
>> When he came when he came in the league,
I still felt like the big brother a
little bit, you know. I still feel like,
you know, I got the upper hand here,
right? you know, then he started
becoming who he is and the pendulum
shifted. And so my last two years with
the Lakers, my second game with the
Lakers, I I bumped knees in Dame's first
game with Dave and broke my tib joint on
the inside where like it's
weightbearing, it's problem. And I had
it's where the nerve goes. I already had
nerve stuff and I was never the same. I
spent two years working out twice a day
just to try to overcome it. So I come
back my 18th training camp and I'm like
I've been going so hard trying to get
there. I had a pretty good first
preseason game. Like I can't remember
what happened. Like I think we drove
home from San Diego. Had a back spasm
the next morning. I was just like then
like I had like I don't know. I was
doing all right. And then I was like
another flare up and it just like my
nerves were messed up. I couldn't
recover. And I was like well I got to
find out. So like I had a week since I'd
last played and I was like we're playing
them in preseason. I'm like I got to
find out like I have to play hurt. Can I
play hurt or else I'm what's the point?
Right? And so we went to play these guys
preseason in like Ontario, California or
somewhere. I don't even remember this.
And uh
>> I remember the game Ontario. I knew
>> we came out. I'm guarding Steph. I think
they put up like 50 in the first
quarter.
>> Maybe it was 45, but it feel it felt
like a 50 piece, right? He's running
everywhere. I'm like back is broke.
Everything's Jack. I couldn't have
probably stop I could have stopped him
if I was 100%. And now I'm like dragging
around Stevie Kur putting me in every
action. I'm looking over at Steve like
>> what the [ __ ] you are you Stevie? I
think that we we know we know he's over
there smiling too.
>> They're laughing at me. Alvin Gentry
over there laughing at me like no no no
see what you got. I'm like man literally
like three more four more days of
thinking on it. I was like
>> yeah
it's uh it's uh I think it's time.
I think it's time. Uh, and that was it.
I called Mitch out of his misery. He
called Mitch said why he wrote
me out.
>> Oh man, that's classic.
>> Next thing I know, he showed up at
practice, was teaching us pick and roll.
You can't beat him.
Cheers.
>> One this way and one this way. Yes, sir.
Yes sir.
>> Thank you. Thank you for doing this.
>> It's our first official golf podcast.
>> Yeah. They heard mind the game. They
thought the game was basketball today.
Was actually not. Mind it. We say mind
the TV.
I was watching the uh
>> Bryson Deambo.
>> Oh, the Break 50.
>> Break 50. Uh I mean, I knew you were
good.
>> I was losing my mind. I only watched
half. You matched him.
>> I watched the whole thing.
>> Yeah.
>> I mean, that's being kind.
>> As you could I shot I lost my mind, too.
There's like a little small gallery
behind Oh, there was
>> that uh was following us
>> and so I knew the whole concept. I knew
it was Bryson's a week before the Ryder
Cup. I'm like, "All right, this dough
time." And it's the best I've best golf
I've played in my life.
>> And it's so funny. I was watching one of
the hoes. I don't know what hole it was.
And you was like,
>> "I'm going to give it a little grunt on
this one. One of his drives said
>> and he got him on the drive." And you
can Bryson obviously this is what he
does. Like this. He's a best in the
world. And when they got up to the ball,
he was like,
>> "I think that's your ball."
>> He was like, "Oh man, I out drove him."
Like it was crazy.
>> He didn't want to give it to me. I think
one of the good parts too that I was
watching too and you was I think Bryson
asked you a question like like who's
your inspirations like you know
obviously you know in the game that we
all
>> you know and you you mentioned Steve and
you mentioned Reggie you know and
>> obviously Reggie makes so much sense and
it's terrifying to competitors like
myself and and and all the competition
over the years.
>> How did that how h what made you kind of
watch those guys from the beginning? And
that's funny that I'm sitting across
from talking about the life.
>> So that's I mean we all got history in
the game playing against each other and
the whole deal. But
>> my rookie year we played in a uh
preseason game outside
>> in um in Palm Springs like Indian Wells
Tennessee Indian Wells.
>> It was my first time like actually
seeing him you know on the court and to
the point of inspiration.
>> Super intimidating
>> just seeing him across. I still do some
of your uh when you're in the starting
line or the uh national anthem, the line
like you just do like the little leg
stuff. I still do it.
>> I still do it.
>> Like I was watch I was watching
everything you did from across the
court. But growing up like I knew I was
a pass first type of point guard like my
dad had to actually tell me
called Dale Curry right now and he'd
tell you he actually had to tell me to
shoot cuz I was not in this house. Not
in this house. You ain't going to be
that. Um, but I always like just love
the creativity being like at felt like
we had similar statures where as a point
guard being able to, you know, handle
being in the trees, getting the ball
where you needed to. You saw angles that
didn't even make sense. Your change of
speed,
>> you can control the tempo. Um, got
everybody involved. Like there was just
something fun about that. That is a way
that I, you know, wanted to play. Fast
forward to Davidson,
I was a two guard and had to kind of
expand. That's I mean I I always there's
a video of me as a 10-year-old running
around with a Reggie jersey
>> just cuz you know I just love his
competitiveness and the way he moved off
the off the ball. But I didn't know like
that would be a huge part of
>> my game once I got to like how am I
going to actually make it to to the
league type vibe. But that was your
style was like exact. I tried all the
behind the back passes this day,
one-handed, left-handed, like all that
type of stuff,
>> just seeing the floor a little
differently. Um, felt like he was
>> kind of the model for that. So,
>> and what about your pops too? Obviously,
I mean obviously the inspiration that
you saw every day, but like as your pops
being a pro itself, anything like you
took from his game like I mean the quick
the quick
>> the quick release.
>> Every video you see of him in the corner
one like one dribble and then the quick
release. He had the high arcing release,
too.
>> Yeah.
>> I couldn't get that. So, it was like
almost comparison and contrast of
>> I want to be a great shooter. I want to
have a quick release, but I also have to
own my own form. I can't really
>> It has to go in at the end of the day.
>> Yeah. You know what I'm saying? You got
to feel comfortable what you're doing.
>> But did you did you guys ever talk about
it like quick release or you
>> Yeah, we talked about that a lot. Uh
when I was in high school changing my
form,
>> I used to do like the little slingshot
situation and to the point of seeing
when I watched myself on camera was like
that thing looked like it take forever
to get up there. But I to your point it
went in
>> but as I got the varsity I was like you
know it's probably not going that
thing's getting swatted to the eighth
row.
>> And you was able to you was able to
dissect that.
>> My dad your dad your dad called it out
as I was making that transition. I I
wasn't with it at first. Like I was
>> because I knew he was gonna have to
break down all the fundamentals of
everything that I felt comfortable with
>> to then master like a new form.
>> It felt like it too much.
>> Yeah. It's like I don't want to do extra
credit on on the homework. I already
know I already know the formula like I
got to recreate it and and obviously it
worked.
>> But I feel like someone who loves
shooting, shot a million shots, always,
you know, obsessed with it. watching you
shoot
like I think I have a bit of a classic
shot. I get it to like clay get into the
pocket and shoot. What I think you
brought to the game and I would I love
for you to tell me I'm full of it
>> is you don't really stop. So like you
talked about this shot as a kid to now
it's the same shot but up here like I
don't really feel like you stop and if
you do it's like this split second
>> only probably on like just standard
catch and shoot where
>> to I always tell people like I would
teach Clay's form to anybody who
>> said hey how do I shoot a basketball I
would like pull up a clip of Clay and
it's just that's freaking perfect 10 out
of 10 every no notes right
>> um but to your point it helped me off
the dribble because it's kind I'm going
to call it unorthodox, but it is a one
piece shot that no matter if you're
really all the way on balance or just
off or if you got it on the right hand,
left hand, off the dribble, like
whatever it is,
>> I kind of can get it here quick enough
that through the zone
>> and I still have all my power, you know,
I don't lose anything through that. So,
that's helped me. Especially at 6'3,
like in the league,
>> no matter who's in front of you, you
really feel like I have a chance. As
long as I get them to drop their hands a
little bit, I can get it up there quick.
and I don't want to have any waste of
motion.
>> Was that by design or was that just
happened?
>> That's just how I've shot it. There
wasn't much thought to that part other
than when I was in high school doing the
um that that transformation, I guess you
call it.
>> Cuz I also feel like that is a part of
your range
>> is that you like
>> instead of stopping and having to use
all your legs, you're using it all in
one motion. So like he just kept backing
up and
>> where's this going? And it was like a
it's like a flick like I got an
opportunity to see it this you know last
summer you know first time us
>> joining forces I got to see it after
practice every day just like a a flick.
It didn't matter, right?
>> You know, certain guys in our league or
certain, you know, basketball players
all over the world, they have to get in
a certain pocket.
>> And in order for them to even get to
here or how
>> it's like when he touched the ball, by
the time he does what he needs to here,
it doesn't matter where it's coming
from, come from here. Come from here.
>> Quick, quick, quick. Like, and and
that's a great question. It's like, did
that did that
>> did you learn that or it just kind of
happened? And it's like, no, it just
>> it's kind of natural.
>> Kind of just naturally just happened.
Yeah. Yeah, like there's always a u a
reset like summertime when you're
working on mechanics. Like my guy
Brandon Pain, he'll
>> we'll talk about it and if I've missed
two or three in a row, he start looking.
>> I'll know it's because I don't have the
ball. Like if we talking middle of the
frame, I don't have it more middle to
right. Like I'm more kind of doing that
and it's just a you get a little lazy,
right? But I still have to call that
out. But then once you get into,
>> you know, the game and the flow, there's
not much thought to it. But it it's
interesting because like necessity is
the mother of invention. You kind of
invented something like you've gone on
to be the greatest shooter of all time
by like a long margin like range,
accuracy, dexterity, off the move, left,
right, leaning in, leaning back. Like
you do it all, but like you I don't know
if you could do that if you had picture
perfect form. I'm not saying you don't,
but you invented a way of going through
the zone, like you said, off the dribble
like it's up.
>> And that gave you more range and that
gave you more dexterity. Like,
>> by the way, it's not it's not really
recreatable.
>> I'm not telling kids, hey, it's over,
you know,
>> but you uh so Bruce Frasier, you like we
use you as an example a lot when I'm
doing the breakdown drill. Like I'll do
like pregame stuff or
>> um after practice stuff where to the
point of being able to get to my base
Yeah.
>> Like he'll bring you up as a
demonstration of like you use you had
such a solid foundation
>> where you know
>> get your hips down.
>> Get your hips down, get low. Like you're
feeling every part of your foot, your
feet, and you're you're using all of
that force to kind of get through
>> pushing in the ground.
>> And that's a that's a foundation you
have to have to then build off of that,
you know, creativity and that looseness
up top. So that's like that's part of
the
>> the natural progression of foundation to
confidence to then okay now I can
experiment a little bit. So maybe it's
not necessarily a thought it's like
>> you hammer that down so much that now I
have the ability to say okay
>> what's going to help me in the game or
if I need to
>> stay out of the trees I can get my range
back. Oh, I got that's in there because
I have this and if I always I still have
to go back to that will though like we
do our stuff at the free throw line
where you're doing like the spins and
>> you got to be in, you know, in balance.
That's that's your world. Like that's
what I learned.
>> I also think one of the most impressive
things I know we're here to talk about a
lot of things, but the most impressive
thing is that
>> you you came in, you know, 6'2,
whatever, and obviously super skinny.
>> Super skinny. You know what I'm saying?
Like I remember like super skinny, fresh
out of Davidson, super skinny. And
obviously, you know, our league, you
know, you know, throughout the course of
a season, flights and everything, you
know, can be taxing on your body.
>> Yeah.
>> I think one of the most impressive
things that a lot of people don't talk
about when it comes to you is that the
weight and the strength that you've put
on and still being able to shoot the
ball in that capacity. There's a lot of
guys that we've seen come in at a
certain weight or a certain, you know,
body frame and they're told to put on
weight or they're told to put on
strengths and it can affect their shot,
>> you know, and
>> it's actually I there's no way it could
have made it better,
>> but [ __ ] it seems like it nothing ever
changed. How was that? Like, did did
that worry you in the beginning? Like,
oh [ __ ] y'all tell me I got to get
stronger now.
>> Story. This is like my rookie year
>> uh in training camp. So, I came in as,
you know, a shooter in the draft, but
>> Don Nelson was my coach and um
>> going through training camp or sorry,
summer league started. I think I
probably shot like 30 low 30s for three
in training or in summer league
>> and then you're coming into training
camp, you know, a couple months later,
like still working, getting through,
trying to get comfortable with where
shots are coming from. And Don Nelson,
he went in the weight room cuz to your
point, I came in 180 lbs maybe. Mhm.
>> They're trying to get me in the weight
room doing all these lifts and stuff.
I'm shooting like trash in training camp
like the first week. He walked in there
and cussed out everybody in the room.
It's like
>> he y'all killing the shot. He's lifting
too much weight. And to me, I didn't I
didn't I didn't know that as a concept
cuz like I I always just wanted to get
stronger. Like most of it was just
vanity. Like hey
>> look better in the jersey. All these
mirrors around here y'all telling me I
got to look like this. Stop trying to
pop. Like give me something. Well, I
didn't even think about it in terms of
shot. I I I know that there are uh
there's a a range of like body
composition that matters to making sure
everything moves right. So, if you're,
you know, if you're doing a big
transformation, you can't change how
your body moves.
>> I never thought I could get to that
point, but then when he caught it out, I
was like, wait, are they really messing
up my shot?
>> But that balance of being able to
appropriately like get your body to move
efficiently, like a lot of live is to me
is core strength. Like if we're talking
specifics um
>> everything is about the foundation. Like
how does your body move through that
range where you have, you know, complete
control of, you know, your your movement
patterns, not necessarily like brute
strength but
>> efficiency,
>> stability, patterns.
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I want to talk about or hear about like
your summer routine, your shooting
routine has a legendary work ethic,
>> but you came in the league with ankle
problems
>> and physical therapists will tell you
that the glutes, hip strength has a lot
of connection to ankle stability. It
takes obviously a lot of the pressure
off the ankles.
>> When you went through all that stuff,
first of all, like I'd love to hear
looking back, were you ever worried like
is this is this it for me? like am I
going to be put in this little box of
can't move like I want to move and then
two getting that hip strength. I've
heard about your deadlift strength and
stuff like get walk us through that a
little bit.
>> Yeah. um after my second year it was at
had my first surgery and
tell my wife like there was a moment in
rehab sitting in the basement of my
house in Charlotte you know um like a
three and a half almost four month rehab
just on that to the point where I wasn't
even rolling my ankle like landing on
somebody I was doing the one where oh we
catching in transition I'm pushing off
and that thing would flip and I look
back like what
drop like bandandy legs. Like literally
like I just couldn't stay on my feet.
>> And to your point about learning your
body, right? Like learning how it moves,
learning what
>> You didn't have that problem in college.
>> No. Um I rolled my ankle one time in
college the traditional way where I was
coming down the lane
>> going up for a layup and playing it on
somebody's foot and and rolled it. That
was my junior year.
>> But I didn't really have anything coming
in that was of concern. But to the point
of the volume of games in the league,
the phys you mention the physicality of
the league, travel, all that stuff. I
got week. I wasn't doing things to keep
up with the pace and then it caught up
to me where the whole chain was
compromised.
>> Um, and I had to learn all of that on
the fly post the second surgery cuz
first we thought it was like is it the
shoes I'm wearing? Is it I got those big
Forest Gump looking ankle braces that I
still wear now. Um, and you're just
like, what is the problem? I like
>> I feel strong. I feel
I feel coordinated, but I can't
necessarily get through a full season.
So, learning your body, learning the
like breaking it down from the beginning
of, to your point, core strength, glute
strength, the entire chain that can show
itself if you know in and strength or
weakness down u in your ankles. And for
me, like the most boring, monotonous
work you've ever done in your life,
right? Every day.
>> The little muscles,
>> little muscles,
>> propriception type stuff, movement
patterns.
>> Um, and there was definitely some dark
days of
>> one, you you know, you get this league.
I remember um when we came to your camp
when my junior UNCCP gave us this whole
like freaking just speech on y'all think
y'all nice now but
>> y'all when you get to the league
everything resets like you have to earn
your way and I'm thinking that just
means like production on the court
>> I ain't know nothing about the off the
court stuff you know what I mean so like
that was the learning curve of
>> trying to figure out how you're going to
survive in this league
>> and if I couldn't even be available how
do I even know am I good enough can I
get to that level and there was a lot of
fear fear um and doubt in that moment
for sure. Uh cuz you feel so far away
from
>> yourself.
>> But especially if you especially if you
know like I know I belong. I know my
game translate
>> but my body is not even allowing me to
get to that point
>> you know so you can only imagine like
>> frustration
>> frustration like you know like I know I
know my work ethic I know the work I've
put in
>> but [ __ ] my body is not even allowing me
to even get to that to even show what
I'm capable of doing too so
>> definitely
>> especially those early days when you're
like trying to prove yourself I'm I
belong
>> you have those little moments you have a
couple good games like oh yeah I belong
Yeah. Yeah.
>> Yeah.
>> Having said that, that struggle kind of
made you who you are.
>> Yeah.
>> Right. Like as far as the shooting, like
it went up a with the strength in the
hips came the strength in the ankles
>> came the dynamic movement like I mean
your fitness levels the the we'll get to
the the style of play, but if it wasn't
for that process, it's almost like you
you maybe you didn't shoot 42% from 27.
You know what I mean? Like you know what
I mean? I think there's a
>> I think there's an understanding of not
taking anything for granted even to this
to at this stage in terms of longevity
that I learned then that is carried you
know to this day of how I approach you
know the offseason how you approach the
recovery days how you approach
>> even just uh prime yourself for a
practice like I can't just walk on the
court like you got to there's steps you
got to take you know
>> um
>> I think we going to hype each other up a
lot in this thing but like walking into
um the locker room last year or the for
the Olympic journey. I got I we had
played with each other. I'd heard about
the work ethic and the sheer volume of
time and how he takes care of his body.
But when you see somebody on that level,
couldn't beat him to the gym in the
morning, but it was like the idea we
there was just an energy of like we all
know this this is the stuff that makes
you who you are on the court that's
going to prepare you for the moments
when the lights are bright.
>> I don't even think we talked about it.
It was just a unspoken like this this is
what this is what you do
>> and I learned that you know early in the
process to know like don't take that for
granted so that you can be your best
self and it's like there's no accident
when it comes to
>> for sure
>> being who you are so no matter how you
learn it how you get there.
>> Yeah. What? Tell me about like u as
someone that was obsessed with shooting
too, you know, needed to be able to
shoot at our size or else you know your
ceiling
>> behind you. I mean I you know made me
real quick to be able to shoot the ball,
right?
Um, what was your approach and your
routine and like how did it develop and
how did it change like you know as a kid
you just go and shoot because you love
to shoot then you're like a dad says I
should practice and you hear people you
start practicing purposefully then you
know what I mean then you get to college
you
>> how did it go through to like now you
have this you're chasing greatness like
you I've seen you in person we've worked
together we
>> I watch you from afar like everything is
intentional
>> like tell me about like how you approach
shooting
>> I always talk the is now like nobody
should have to tell you you should go to
the gym, right? Like as a kid, I was
that type of kid. You I was blessed to
have the opportunity to find a gym
wherever.
>> My dad played in the league. So it's not
like, you know, the access wasn't there.
But it wasn't he couldn't be the one
telling me, you know, it
>> was 8:00 like 7:00 what we doing today?
like if I'm not the one pushing that
like start there
>> and it always became just a joy of you
know the game and finding ways to you
know get a little bit better. It sounds
real cheesy when you think about it, but
the idea of every day like I was just
exploring, like trying stuff, you know,
never really satisfied with, you know,
the level that I was shooting. Even if I
had the greatest workout, I'm probably
thinking about the couple of misses that
I had and and, you know, how can I get
better that next the next session? And
from there, you just expose yourself to
different, you know, thought processes,
different, you know, approaches to to
training. Like I have my trainers now
who I've been with uh for the last 15
years, but like I was always curious,
you know, coming through of being
uncomfortable.
>> Hear that kids
>> curious want to learn
>> being uncomfortable getting in gyms that
you know kids that are better than me.
>> Um you know the workouts where you know
like if you're not getting anything out
of it there's that internal voice that's
like
>> I probably coasted today like oh no I
did something I got something out of
this today. And then you start to just
do that more and more and more and the
reps kind of
>> start to to build up. Um most more
specifically though, when I got to the
league, um I thought I was preparing
myself for the, you know, the the NBA
journey and the pre-draft workouts and
stuff, but I was still at Davidson,
still doing like college type workouts.
and uh caught up this guy Edon Ravine
who um I had met through my agent and
he's like yo come out to to Baltimore or
sorry to uh to Maryland for um you know
a couple weeks and let's just work out
and I I have this kind of approach to
how to get you ready for these workouts
and um and then for for summer league
and all that
>> walk you know just a leap of faith just
in terms of am I really going to get
somebody but I I was curious and like I
said I was going to put myself in an
arena where I could learn what to do or
what not to do or what worked or what
not worked. And the hardest two weeks of
my life where you really had to
determine like how again how bad do you
want it? He put me through hell.
>> Um but to the point of like really
earning it, that's where that kind of
set me off on the on the journey. Worked
out with CP
>> over that that summer leading into my
rookie year. Really learned what it
meant to be a professional. Like I was
just around people that knew what they
were talking about and thankfully, you
know, kind of pushed me in the right
direction.
>> Yeah. And and obviously you didn't know
when we talk about shooting a lot
obviously um you didn't know what you
were doing.
>> No.
>> But at what point did you realize
how transcendent what you were doing on
the floor to the masses? When did you
when did you figure out, holy [ __ ]
Steph,
what you're doing on the floor is
transcending a whole generation of of
players? Obviously, you didn't know
early on. You just shooting. You just
out there, you know, doing your thing.
>> But when did it click to you? You
started looking around was like, "Oh,
wow. That kid is
>> That's a great question."
>> Cuz you you know, you ruined you ruined
the game.
>> It's destroyed.
>> Completely destroyed.
>> Mark one
step.
>> When Mark Jackson uh got back on the
telecast after he coached us and he said
it on the telecast um Yeah, he was taken
out of context of just like or too
strongly in the sense that he was just
being funny. Not talking about how
watching his kids play in a game.
>> He's like, "Oh, he's ruining the game.
I'm walking to high school gyms now and
>> just coming across just
>> I'm trying to think of the first moment
though. It's like
>> cuz you know obviously you know it.
>> Yeah.
>> Yeah. Yeah. You know it. I when Trey
Young came in the league and that was
like the first person who they said was
like the next me even though he's a
different player and
>> we I known him when he was in high
school like
>> um that was like the first time you're
like
>> one I'm getting a little older with
these kids that are watching you
>> who are now emulating their their game
after the way that you play or like
there's now expectations on set person
to be
>> you or play like you.
>> That might be the first time I thought
about it. um or really experienced like
what the impact was.
>> Yeah.
>> Um but I got that you ruined the game
question all the time after Mark said it
and you know now it's kind of tongue and
cheek just cuz you know you understand
there is an influence and I now it's
about how can you allow kids to hear the
story about the entire journey and not
just the finished product.
>> Absolutely.
>> That might have been the first time I
actually thought about it though cuz
yeah he was a kid that came to the one
of our games got to talk to him. Next
thing you know he's getting drafted and
it's like oh he's in that. I'm like,
"No, he's he's his own player." Like,
>> well, I mean, but what Mark didn't
realize that he he ruined the league,
too.
>> No, everyone shoots threes now. Everyone
>> 63's a game. 53's a game. Like, it's all
me. It's all stuff. It's all step.
>> You You were the first
>> I think you jumped
>> It was the I think it was maybe Stevie
Kerr's first year. you jumped 200 threes
>> attempted
>> from one season to the next. 200 threes
attempted and then the league followed.
>> Mhm.
>> Then Dame and Clay and now it's like
>> it's not uncommon for like three, four
guys on your roster to shoot hundreds of
threes a year.
>> Shot quality is still Jerry's still out
on where the league is, but Bob Mar was
the first one who told me like, "Yo, you
should shoot 15 threes a game." I was
like "What?"
Like you know how hard it is to get
>> to get 12 good looks up like
>> Yeah.
>> But he was one of those like why why
not? The math says
>> you know 15 threes for you is great.
Like the whole deal you start thinking
about it but
>> yeah the game of train is morphed crazy.
>> But what what was it? Was it that
conversation? Was it Stevie Kerr? Like
what what was the one what was the
impetus be behind taking out 200?
>> The way that we created shots was a big
part of it. um the offense that he
instilled where it was less uh you know
traditional pick and roll less pick on
game um
>> movement more pinch post to pass all
that stuff where you're creating
so uh
>> the concept of you know all 15 threes
cool but they're not all created equal
in the terms of
>> game pressure the rhythm and flow of how
like is it one pass shot is it
>> balls change side three times and you
know you're coming off and you you move
touched it got back relocated. That's a
different shot percentage-wise than
>> the exact same shot from the exact same
spot on the floor in a different
context. So,
>> we started to understand that a little
bit. Um,
>> and it just catered to my natural style
of seeing the game like to the point of,
you know, your influence, Reggie, the
way that I could get it both ways on the
ball and off the ball. So, I didn't
really, it didn't, as crazy as 200 extra
threes in a season sounding, it didn't
felt natural. Exactly. for like a normal
evolution.
>> So, let's talk about this offense,
right? Cuz
>> you come into it's a pick and roll
league
>> and you're a primary ball handler in
profile. You have the handle, you can
shoot off the dribble. Yes, you played
the two in college, but everyone's like
obviously he has a skill set to did you
feel uncomfortable at all in pick and
roll or were you just like, you know,
were you or was it Steve or was it both
of you? How did it come to like, hey,
we're just not going to run a million
pick and rolls when the time came? It
was just conversations like I was
comfortable with all the different
options. Granted as a ball hand like you
your natural tendency is want to you
know be able to make the decisions like
be one reading the floor seeing where
the defense is
>> uh kind of dictating possessions but
when he came in and you know you we all
know Steve the way he communicates the
way he kind of approached the job. We
were almost a what 50 win team when he
came in. that's built on, you know, a
great defensive presence with the the
guys that we had. He's like, I just want
to make a couple tweaks to the way that
we're creating shots and, you know, he
has, you know, the Papovic influence and
um he had always referenced Atlanta um
with uh Coach Bud when they he was down
there and like they were in like the
second and third year of trying to, you
know, implement this kind of style and
>> um leveraging everybody on the floor as
a threat offensively. He's like, I just
want to help, you know, make those
subtle tweaks. So once we got into
training camp, he showed a a clip of um
I can't remember the soccer club, but
>> Barcelona
>> TikTaka, right? And he was talking about
that as a philosophy of how we're going
to create shots, how we're going to
create shots, how we're going to, you
know, keep things simple.
>> Um you know, make the defense have to
make a million decisions in a possession
so that you can then find the right shot
and
>> illuminating the Spurs five stuff when
they're make a decision.5.
>> And so once we got in training camp, it
it took a minute to
be comfortable with not calling a play
and just
>> letting Yeah.
>> letting the ball um kind of dictate
where you're supposed to be.
>> I love offball screens,
>> which
>> as a shooter and a scorer. Coach
McKillip at Davidson taught me, you
know, you help somebody, you help
yourself. And it was a concept of
>> if I can set a screen and you're
guarding me and your goal is to keep the
ball out of my hands, you got to make a
decision now. Like
>> you you call the switch. Oh yeah,
>> you going to stay body tight.
>> My guy going to be open.
>> Mhm.
>> So like sacrificing your body to be able
to set screens was a big deal. Um and
that helped
>> kind of optimize coach Curry's kind of
philosophy because I was involved in
pretty much everything whether was on
ball or off ball.
>> And then from there you just work on the
shots that you're going to get and
that's the entire team. And so to your
point, out of all of that,
>> I wasn't like I was coming in saying, "I
have to hit this number of three-point
attempts to, you know, maximize what I
was doing." It's just that's how it kind
of naturally happened.
>> It's fascinating to me because like the
league is so pick and roll heavy for
someone with your skill set, your
willingness to move so much. That's
probably what prevents other teams from
playing that style more than anything is
someone's willingness to move, to set
screens, to be the sacrificial them.
>> There's a great stat. I watched a video
the other day. um over a certain period
of time in your career, your um team's
rim attempts when you're on the floor
are 45% of your shots. That's not from
you dying someone at the rim. That's
from your man chaos.
>> When you're off the floor, it's still
pretty high, but it's down to 27%.
That's pretty. So, your influence is 18
percentage points on rim attempts. And
that's not from you.
>> That's just people's respect for your
gravity. the game plan of do we switch,
do we bump, do we show like you staying
at home like you talked about screening,
they don't want to leave your body. The
decisions we got some clips to pull up
here of the finals.
>> Oh yeah.
>> Is most dangerous.
>> He doesn't have the ball.
>> Yeah.
>> People
as a competitor and as a dear friend
now.
>> Yeah. Having guys not truly understand
what that means when you're competing
against a guy like that. It it it it
grinds you in the head
>> because it's a natural reaction. It's a
natural reaction. The most dangerous guy
gives the ball up. The first thing you
do is
>> I did a great job.
>> Right.
>> He is most dangerous when he gives the
ball up.
>> And like you just said, that stat right
there is a is really a byproduct of
that. 45% of rim attempts when he's on
the floor. That mean when he's giving
the ball up and he's moving and move and
everybody is doing like this to Stephss.
Draymond layup, egodala lob, you know,
guys payton the third dunk like because
of that vibration, you know,
>> it's funny to say the ball has energy.
He
>> also player movement has energy as well.
And certain guys like you go back like
you saying Reggie you know having energy
himself having energy guys you're just
moving and flowing and uh it's just it's
a beautiful thing. It's a it's not
beautiful when you playing
>> it hurts.
>> It's impossible.
>> But as a competitor and someone who kind
of like thinks the game as well. It's
like wow you can appreciate that [ __ ]
That [ __ ] is like it's it's it's
>> possessions where like you've been on
the sidelines as a coach like when you
start clapping no matter if the shot
went in or not because you know that the
the possession was just absolutely
>> those are my favorite like moments when
you watching film. It's like that's just
basketball at its best
>> and be a part of like organ of like
executing those type of possessions.
Those are my favorite. That's when you
don't matter who score everybody
everybody hyp.
>> Operation successful patient dies.
>> Exactly.
He didn't go in, but that was
>> beautiful. Everybody clap successful
patient die. That's That's hilarious.
That's like right there.
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Let's take a look at some of these clips
of you guys playing each other. So,
>> wait, I haven't seen these clips. It's
cool. I haven't
>> I bet. But in our psychosis, we could
probably go back to each of these
moments.
>> Boom.
>> Right.
>> So, like just first of all, the the post
to pass.
>> I think it's important for like the
casual fan to understand. Why is a post
to pass interesting? Cuz like you guys
you're not saying let's go to Fesus
here.
>> No. You know what happens is I'll start
and let you guys talk about it.
>> Yeah.
>> When you throw the ball in the post now
you've disoriented the defense's vision,
>> right? Instead of everything being in
front of them, you're supposed to see
man and ball.
>> You you almost it's impossible.
>> Well, I mean, you you you say it's the
same thing as what the Bulls was doing
in the 90s when they would throw the
ball into Luke Longley at times. And now
>> the other actions start happening.
Chicago screen pinch post.
>> MJ can come off of it. Scotty can come
off. It's the same kind of concept what
they were doing. It was just called the
triangle,
>> you know. So, like you said, as soon as
the ball go into the post, now it
>> action starts.
>> Action begins and and it's
>> it's it's like it's control chaos. But
those guys know exactly what's going on.
But we're just trying to get the chain
to move on the defense,
>> you know, and it's when you have a when
you have threats, you know, on the floor
at all times, it can disorient the
defense, which it, you know,
>> you would show the first clip of me
having to [ __ ] up.
>> Is that is that you got a few of them?
>> How about this? I completely
>> This is the happiest I've ever been
watching this game, by the way. So we
>> the biggest smile,
>> but he's throwing in the post here.
Draymond goes to set a a split screen.
>> So Tristan Thompson is probably not
supposed to be guarding.
>> Let's see. Al, so this another piece of
it I can't. So there six seconds on the
shot clock. And the reason he's guarding
me is probably because
>> switch ball screen under 8 seconds
offensive rebound something. That's part
of the the ball and body movement where
you can again make the def defense have
to make multiple decisions to where now
all Tristan's guarding me. He's not used
to being in a guard spot which
>> keep one of the conversations we had
previously
>> about fives guard and pick and rolls
>> you know instead of going oneonone all
the time against the five
>> throw it chase it and let's see what he
do screen out of it I smoke screen out
of it I don't even set the screen
they're not used to guarding pick and
roll so let's see what they do so now
>> having our five man who's can move his
feet obviously he was very you know very
well equipped to move his feet
>> but can he get into pinch post action
that's different you Yeah.
>> And he does a good job. He gets into the
body.
>> You know, I think LeBron's trying to
play center field here cuz Draymond and
he's, you know, so what happens though?
Come off a hard cut.
>> He sets a screen and you're so fearful
of daylight.
>> It's my favorite moment where Tristan
has to decide.
>> So, I think
what else is tricky for people is that
if Tristan
>> runs into the screen or under the screen
the way he should on a switch,
>> there's too much daylight for you there.
So he has to show you to LeBron
>> if they're not on the Yeah. If they're
not on the same page because to the
point if that happened on this
possession, Braun read it where you're
going to try to jump that pass to take
it away and make us make another
decision. But one person's on on a
different station. This it's a wrap.
>> That's it. And this is the this is the
byproduct of the
>> So there's there's the rim attempt,
right? And so that's all just out of
gravity, fear, game plan busting
movement, playing post and pass. All
right, let's see what we got here.
>> So, this is just random basketball right
now, right? You come down, you know,
people are finding spots. We're going to
move it. You get off the ball, which is
>> most people I've seen inside the
three-point line in seven years. It's
been a while, right? You know, just go
back five, six.
>> Oh my god. Nine guys inside the three
line.
>> This is unbelievable.
>> Dre is the only person outside the
three-point line right now. Wow.
>> It's unbelievable. Okay, but you don't
stop playing. So, what are the
principles here? I'm just going to move.
Someone knows they're supposed to pin in
>> or you're gonna screen and someone's
gonna clean it up.
>> Yeah. So like when you come So that's
the when a guard goes underneath the
head underneath the basket.
>> If you're guarding that person obviously
like tennis up coming out whichever side
>> if uh if Shump is trying to stay
attached but I've been moving the whole
possession. So unless he's kind of bear
hugging, which happens at times,
>> I'm at the advantage cuz now he's
chasing and trying to, you know, decide
and to the point where we've been doing
a bunch of action where now Braun's
trying to decide at what point am I
jumping out. I've already guarded two
actions before and it's just, you know,
good timing. And Dre Dre was an
unbelievable asset in that sense cuz it
didn't matter. We had four ball hand
analysts on the court right now
>> that could make that play, right? Sean
could have made it. Dre, Andre or
Draymond could have made it. Andre could
have made it. I could have made it if
somebody else is in the in the action.
So like that obviously helps. Dre's
under control. He knows like something's
about about to happen. Somebody about to
be
>> And that is like one of the things in
our league too. Like sometimes that's
what makes you know certain guys like
Dre Egodala, you know, uh Rondo, you
know, Draymond. It makes what some of
their superpowers actually work for them
as well. Because as you can see right
now, we're not pressuring Dre. We're
trying to read his eyes. see where he's
throwing the ball and then maybe stunt
to the direction of the pass. But also
what
>> the the flip side is that he can see
everything because there's no pressure.
Same thing with Rondo. Rondo, imagine
Rondo up there with Paul and Ray coming
off floppy screens, KG and Perks setting
the pin downs and Rond just up there
just like
>> cuz no one wants to pressure him.
>> Yeah.
>> You know, they're afraid to pressure him
because he's fast, but also they say,
"Okay, well you can't shoot as well."
But his superpower is you not pressuring
him. So he can just
>> you giving him time and
>> you he can see it all, you know. So I
don't know if we were in like if Steph's
underneath and he comes out. We're
switching.
>> Well, I would say something like
he gets locked in sometimes.
Part of it too.
>> The first part about this is it's
random.
>> So you're not always certain.
Steph gave the ball up on the left wing
and threw it to Dre and and now it ended
up down here
>> and did his possum thing.
>> Yeah, I don't know what's going on.
>> Popcorn at halftime. What? I don't know.
I feel like maybe something sweet.
>> Yeah.
>> And then boom. So when he starts to
sprint here, head under the basket
playing possum. He sprints.
>> Shump now is in emergency mode because
he cannot be like this is too much
daylight.
>> There's never a time he's going to point
switch him out. So it's like or point
our opponent serves me out. That's
>> exactly. And so he's on his bike. Now
when you're sprinting that fast to
close, it's hard now to read and react.
It's hard to read and react. And so
LeBron really should be on the high side
here. Correct. But he probably feels if
I get on the high side and he fades and
we switch, I'm in trouble. I'm in
trouble.
>> So you're thinking, let me bias my body
towards stuff
>> and point you almost passing me off.
Yeah. Like you know, just certain
players in our league. is just certain
guys over the course of the history of
the game.
>> No matter what you do,
they still have an advantage.
>> Yeah.
>> And that's what make that's what makes
great. That's what make Grace great.
>> That's what makes them great. That's a
great point. I
>> You have something?
>> No.
>> Exactly. I was Well, I'm going to ask
you about him in a second.
>> No, no, no. It's about the the guest. We
got the guest on, Steve.
>> No, no, no, no.
>> You guys battled it out in the four
straight finals. This is this is
important history in the game stuff.
>> Thanks for watching Mind the Game. New
episodes drop every other Tuesday.
Remember to like, subscribe, or follow
wherever you're watching.
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